By René C. Reyes
There was a painting that hung on a wall at my aunt’s house that depicted two birds, a yellowish brown bird and a blue colored bird. I was fascinated by it. I did not know what species they were but it had made enough of an impression on me that I copied it with my crayons. It was my very first “bird art”. I was four at that time. Thirty-five years later, my fascination for birds is stronger than ever and it has flourished into a career in avian fine art. It has also brought me to a realization that my career relies heavily on the conservation of wildlands and farmlands, two places that birds are most plentiful.
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Migrating birds seek food and protection in areas with water. The smooth movements of a Tundra Swan as it glides along on rice fields or the preening of a Sandhill Crane (Figure 1) on a flooded field, inspire me to depict these birds in simple watercolor paintings. Where there is open land, it also brings other species such as Red-tailed Hawks (Figure 2) that scan the horizon for its next meal or tidings of Yellow-billed Magpies (Figure 3) that add color to tilled cornfields. In essence, these birds would not be here without the open fields.
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As custodians of the land, we have the power to protect these habitats not just for the benefit of birds but also for future generations to enjoy. As I watch my youngest daughter copy my painting of a bird hanging on the wall, I pray that we will leave land that is not made of concrete, but of soil and water which are the first ingredients of life.
About the artist: René C. Reyes is an avian artist from the Central Valley. A portion of bird art sales are donated to land conservation. Learn more about his paintings at:
ReneCarlitoreyes.blogspot.com.
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